From early rehearsals to the final performance, this in-depth exploration provides a behind-the-scenes look at how the RSC reimagined a Shakespearean classic for modern audiences. As Gregory Doran's directorial vision unfolds, traditional African dance is seamlessly integrated into Caesar's triumphant entrance and Mark Antony's funeral speech, while the set designers create a palpable atmosphere of dictatorship and unrest. Cyril Nri (Cassius) discusses how the cast draws on African leadership archetypes to infuse the narrative with cultural relevance, and Paterson Joseph (Brutus) reflects on his character's internal conflict, highlighting how it mirrors the difficult choices faced by contemporary revolutionaries. The documentary intersperses live performances with audience reactions, highlighting the powerful resonance of the adaptation.

Filmed live in the Royal Shakespeare Theatre in 2024. Experience a ‘ravishing fusion of flamboyancy and fun’ (Guardian) in the RSC’s smash-hit sell-out production of A Midsummer Night’s Dream. Four young lovers, faced with the prospect of unhappy marriage or worse, flee the court of Athens and stumble into an enchanted forest. Nearby, a group of amateur actors rehearse a play to celebrate an upcoming royal wedding. As these mere mortals cross paths with a warring fairy King and Queen, chaos reigns in the natural world. The lines between reality and illusion start to blur and no one but mischievous Puck knows what is true and what is magic. Let Shakespeare’s captivating comedy transport you to the most magical of midsummer nights. Director Eleanor Rhode returns to the RSC with a ‘joyous’ (The Times) Dream that is magical, mischievous and full of wonder.

Comedy where Athanassios inherits a castle supposedly inhabited by Count Dracula, and decides to settle the question.

Young Aoyagi Seiji’s life fell apart when he lost his wife to an illness, and his life seems to be on hold even as he continues to work for Ariake Pharmaceuticals, toiling through passionless days with only memories of his beloved to sustain him. Ariake Pharmaceuticals announces a merger with another company, Healthy Foods, to form a new company “Ariake Foods & Pharmacy,” leading to a spate of new projects and prospects. Additionally, Ariake Foods & Pharmacy announces a memorial performance to commemorate its founding: “Swan Lake” by the Shikishima Ballet Company. As general producer—a job completely outside of his expertise—Aoyagi strives to direct a ballet performance to success. His life, once on hold, starts moving again...

Best and his brother Top have founded a company facilitating communication between humans and their spirit loved ones. They're joined by employees Nam, who's terrified of ghosts, and gadget queen CC.

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

Mallik is a henchman of Aslam Bhai, a Mumbai underworld kingpin. He inducts local hothead Chandu into the gang, and the two of them soon form a formidable faction within the gang, eventually displacing Aslam. As the empire grows, however, the two of them start drifting apart.

N has been a day patient at north London's Dorothy Fish day hospital for 13 years - her ambition is never to leave. Then she meets glamourous new patient Poppy Shakespeare, an ad agency receptionist convinced she's not mad.

这部作品于2009年4月12日在德国Berliner Ensemble首演，时值莎士比亚《十四行诗》出版400周年之际。 　　罗伯特·威尔逊（Robert Wilson）执导的《莎士比亚十四行诗》(Shakespeare’s Sonnets)是绝妙的浪漫诗，难以用语言去概括。这些十四行诗被戏剧大师Jutta Ferbers挑选出来，他巧妙地改编了这些原本无意用于戏剧的迷人诗歌，用表演、朗诵、歌唱的方式表达出来；而Rufus Wainwright的作曲，混合了中世纪德国明尼苏达、古典、流行和卡巴莱摇滚的曲风，完美贴合了舞台的其他表现形式。莎士比亚比以往任何时候都更现代、更有活力。 　　在这部作品中，威尔逊充分开掘了莎士比亚154首十四行诗中所蕴含的颠覆传统的性别观，在男性和女性的欲望对象之间游移不定。几个典型的人物出现了：从男孩到傻瓜，从丘比特到神秘的黑女人，从英国女王到莎士比亚本人……威尔逊标志性的对时间、光线和肢体形态的塑造，与作曲家的时而浪漫、时而令人不安的配乐相融合，将观众带入一个悬浮在时空中的梦幻彼岸。

这部作品于2009年4月12日在德国Berliner Ensemble首演，时值莎士比亚《十四行诗》出版400周年之际。 　　罗伯特·威尔逊（Robert Wilson）执导的《莎士比亚十四行诗》(Shakespeare’s Sonnets)是绝妙的浪漫诗，难以用语言去概括。这些十四行诗被戏剧大师Jutta Ferbers挑选出来，他巧妙地改编了这些原本无意用于戏剧的迷人诗歌，用表演、朗诵、歌唱的方式表达出来；而Rufus Wainwright的作曲，混合了中世纪德国明尼苏达、古典、流行和卡巴莱摇滚的曲风，完美贴合了舞台的其他表现形式。莎士比亚比以往任何时候都更现代、更有活力。 　　在这部作品中，威尔逊充分开掘了莎士比亚154首十四行诗中所蕴含的颠覆传统的性别观，在男性和女性的欲望对象之间游移不定。几个典型的人物出现了：从男孩到傻瓜，从丘比特到神秘的黑女人，从英国女王到莎士比亚本人……威尔逊标志性的对时间、光线和肢体形态的塑造，与作曲家的时而浪漫、时而令人不安的配乐相融合，将观众带入一个悬浮在时空中的梦幻彼岸。